275 Surprising Details About The Best Street Photography Lens Sony

This time, we’re going to talk about Best Lens For Street Photography Sony. There is a lot of information about Sony Alpha 7 Iii Street Photography on the internet, of course. Social media are getting better and better quickly, which makes it easier for us to learn new things.

Best Lenses For Street Photography (Reviewed & Compared) and Best Budget Lenses For Sony A7Iii are also linked to information about Sony Aps-C Astrophotography Lens. As for other things that need to be looked up, they are about The Best Sony Mirrorless Lenses for 2022 and have something to do with Best Lenses For Street Photography (Reviewed & Compared).

275 Unexpected Facts About Best Lens For Street Photography Sony | best sony prime lens for street photography

• Looking for a complete review of the Sigma 85mm F1.4 DG DN Art lens? Check out:A Traveler’s Review: Sigma 85mm F1.4 DG DN Art Lens - Source: Internet
• It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
• If you’re looking for a real all-in-one lens for your trip, the Tamron 18-200 mm f/3.5-6.3 is a great choice. - Source: Internet
• Even when using the max aperture at F1.4, this lens can deliver edge-to-edge sharpness. That’s why it’s also a winner in the low-light shooting department, as you can still enjoy smooth, stable videos even in dark environments. - Source: Internet
• The Sony FE 24-70mm f2.8 GM II lens’s optical performance is also outstanding with its corner-to-corner sharpness, excellent build-quality, and with its fast aperture at F2.8, the lens can produce some stunning bokeh and subject separation while allowing you to produce sharp images even when the lighting is poor. - Source: Internet
• One of the questions I often see online is “What is the best travel lens is for the Sony A6000?” This includes the rest of the Sony Alpha series as well. (A6000, A6300, A6400. A6500, etc.) I figured I’d take a stab at answering that question! I’ve divided the post into prime lenses and the best all in one lenses for the A6000 (or others) as that’s often the first choice you have to make. - Source: Internet
• Fast prime offering a portrait lens provides a 75mm equivalent focal length with a bright f/1.2 maximum aperture and rounded nine-blade diaphragm for a smooth bokeh quality. The lens construction incorporates a pair of aspherical elements to minimize chromatic aberrations and distortions for a cleaner, sharper image quality void of color fringing. Ultra Multi-Coating boosts contrast by suppressing lens flare and ghosting. - Source: Internet
• Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
• In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
• With it’s fast f/1.4 maximum aperture this lens excels in difficult lighting conditions and also enables greater control over focus placement. It has a rounded nine-blade diaphragm to produce a quality of bokeh and one extra-low dispersion element and a three aspherical elements to control aberrations and distortions for increased clarity and sharpness. - Source: Internet
• Sony SEL35F18F is the most popular and best wide-angle prime lens for sony a6000. With f/1.8 aperture, all-weather operability, and great image quality, you can’t turn to another model of a similar 35mm focal length. - Source: Internet
• And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
• It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
• The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
• This ultra wide-angle prime lens is designed for landscape, architectural, interior and night sky photography. With 15 elements in 10 groups, it features three special low dispersion (ED) lenses and a pair of aspherical lenses. Manufacturer claims distortion has been reduced to “zero” - Source: Internet
• All of these lenses won’t be as sharp as an equivalent prime, and they won’t be as effective in low light, but this goes back to picking the lenses that fit your travel and photography style. Not everyone wants to be constantly swapping lenses. In general, people are too obsessed with theoretical sharpness anyways. - Source: Internet
• As you can come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. The F2.8 aperture allows you to use the lens in any condition which is great for travel as you are often shooting in an uncontrolled environment. This lens is also perfect if you like shooting during sunrise or sunset, as well as astrophotography. - Source: Internet
• So, here we are at the end of this article! As a concluding phrase, I would like to say that there is not only one lens that can be considered the best lens for street photography. If it was like that then I wouldn’t mention all the five picks above. However, the reason that I chose all those brands is that all of the lenses are the best for street photography when used with that type of camera from the particular brand. - Source: Internet
• Very few cameras for the Alpha 6000 series have an integrated image stabilizer. That’s why it’s so great that this lens is equipped with one. That means there’s nothing to stop you from taking blur-free pictures. - Source: Internet
• The coating that is added to this lens is the famous Super Spectra which does a perfect job correcting every type of aberration that may destroy your street photo. Along with the coating are added 6 elements into 5 groups. All the elements help the lens provide better and clearer pictures. - Source: Internet
• Sony themselves do not (yet?) make macro lenses higher than 1:1 mag. ratio, and generally, most of these high-powered macro lenses are manual-focus only. For our recommendations, we will stick to the more common and more versatile lenses that offer autofocus. Not only can they be used for macro photography, but they also work for more general-purpose photography, even portraiture. - Source: Internet
• The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
• Last but not least is the wide-angle lens, which can capture a lot of the scene in front of you. Ultra-wide-angle lenses can even take in 180-degrees of the view. They’re great for showing the entirety of a landscape or architecture. - Source: Internet
• Because of the rather ‘slow’ aperture of f/4, this lens is not that big and is great to fit in your bag. The image quality of this lens is good, but not amazing. Obviously, the GM lenses beat this lens in sharpness, but if you want to shoot super wide then this lens is a great choice. - Source: Internet
• As for the focus, Sony added a Linear Autofocus Motor which provides an internal focus, but still, you can easily adjust it. That means that the focus of this lens is automatic and manual at the same time. Just like the other lenses in this list, this is not a zoom lens. I personally wouldn’t recommend a zoom lens for photographing streets anyways. - Source: Internet
• Tamron 70-300mm F4.5-6.3 Lens: For those of you who are looking for a more compact and affordable option for a wildlife lens, I can’t recommend the Tamron 70-300mm F4.5-6.3 lens enough. - Source: Internet
• It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
• Samyang also offers a 50 mm lens for the Sony Alpha 6000. For about 350 euros, it offers a lens speed of f/1.4 and a very high picture quality. - Source: Internet
• We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
• With it’s fast f/2.0 maximum aperture this lens excels in difficult lighting conditions and also enables greater control over focus placement. It has a rounded nine-blade diaphragm to produce a quality of bokeh and one extra-low dispersion element and a three aspherical elements to control aberrations and distortions for increased clarity and sharpness. - Source: Internet
• And so the specs are almost identical. This lens also has a fast autofocus and an initial speed of f/1.8, just with a focal length of 75 mm. - Source: Internet
• If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
• There aren’t all that many E-mount lens choices at the telephoto end of the spectrum, but the wallet-friendly 55-210mm model has the farthest reach with an equivalent of 315mm (second is the 18-200mm below with an equivalent of 300mm). All in all, you get decent optics, a low weight for a lens of this type at 12.2 ounces, and a reasonable price. Keep in mind that the 55-210mm OSS is available in many of Sony’s mirrorless camera kits, or you can buy it on its own for around $350 (it’s a much better value as part of a kit). - Source: Internet
• It’s a close call between the Sony 18-135mm f/3.5-5.6 and Sony 18-105mm f/4 above. At the end of the day, we appreciate the fixed maximum aperture of the latter and better performance at the long end, not to mention the additional focal length coverage of the 18-135mm isn’t all that helpful—-neither lens is a true telephoto. At the end of the day, both are viable do-everything lenses that rarely need to come off your Sony camera, and that convenience can be worth it for travel and everyday use. - Source: Internet
• Sony FE 35mm f1.4 GM Lens: In street photography, you will be running around shooting at moving subjects that often move spontaneously and you will need a lens that is at the most natural-looking focal length, unobtrusive, and extremely fast which is why I recommend the Sony FE 35mm F1.4 lens. - Source: Internet
• The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
• This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
• Sigma also has another 30 mm prime lens in its product range and it’s quite something. The Sigma 30 mm F1.4 DC DN has a lens speed of f/1.4. - Source: Internet
• The lenses you choose to take with you on your travels are a personal choice based on your own travel style and your photography preferences just as the way that everybody packs for a trip is different. I recommend that before buying anything the first question you seriously consider is if you think you’ll prefer prime lenses for their sharpness and low light abilities or an all in one lens for its versatility. If you’re not sure, it may be a good idea to rent or borrow a lens first and see how it handles at home before buying it and taking it abroad. - Source: Internet
• Looking for a complete review of the Tamron 70-300mm lens? Check out:A Traveler’s Review: Tamron 70-300mm F4.5-6.3 Di III RXD - Source: Internet
• Zeiss Loxia 2/50 4.5 The Zeiss Loxia 2/50 is one of the best modern manual focus lenses out there, and is worthy of being called Editors’ Choice. $699.00 at Amazon See It (Opens in a new window) Zeiss Loxia 2/50 Review - Source: Internet
• Another very popular category of lenses among photographers is macro. The main reason is its capability of taking shots of objects from an insanely close range. Our selected macro prime lens for sony a6000 can take photos, maintaining only a 28cm distance. - Source: Internet
• Ultra wide compact cine prime covers Super 35 format E-mount. Internal focus mechanism minimizes breathing and prevents the front of the lens from rotating while pulling focus. An 82mm front filter thread enables mounting filters directly to the lens without using a matte box. - Source: Internet
• OSS image stabilization is useful in that it can help make certain tricky hand-held photos in low light possible. With faster lenses that have maximum apertures of f/2.8 or better, OSS isn’t a major priority since you can typically eliminate shake by opening the aperture to bump up shutter speed. If you’re wanting more depth of field, a tripod is the more surefire solution, but OSS definitely is an upside to any lens, and especially heavy models with long zoom ranges. - Source: Internet
• Another interesting wide angle zoom option is the Tamron 17-28 f/2.8. This lens is very light and sharp but lacks range on both ends. It’s a compromise but not a bad choice at all. - Source: Internet
• One of the key characteristics of a typical landscape lens is a wide-angle or ultra-wide-angle focal length, which for full-frame cameras is generally 24mm or shorter. These types of lenses let you capture more of the scene, which makes them ideal for landscape photography. Imagine a dramatic mountain vista, a wide-open field or a massive waterfall: A wide-angle lens is a good choice for all of these shooting scenarios. Wide-angle lenses are also great for emphasizing a foreground subject. Shoot wide and get in close, and your subject will dominate the frame. - Source: Internet
• Lastly, we have a long telephoto lens with a whopping 135mm focal length and f/1.8 aperture. The physical aperture ring lets you control the lighting precisely. It has a big body size, but it wouldn’t be a problem to carry it around. Because other options of similar focal length are far bigger than this one. - Source: Internet
• The aperture diaphragm is nine blades, and it is fully circular; it can bring you a very smooth bokeh effect. As noticed on the lens name, the maximum aperture is f/2.0. - Source: Internet
• Samyang also offers a portrait prime lens at a real bargain price. For just over 250 euros, you get a lens with an impressive speed of f/1.4. - Source: Internet
• Features an internal focusing design, so the lens does not change its physical size when changing focus, which makes it compatible with rod-mounted accessories such as matte boxes. It incorporates standard 0.8 MOD focus and iris gears, allowing it to interface with standard lens accessories, and the bright yellow dual focus scales allows the lens to be easily read from either side of the lens. - Source: Internet
• The E 18-135mm F3.5-5.6 OSS lens is incredibly lightweight given its zoom range weighing 325g/11.5oz and it’s Optical SteadyShot functionality helps ensure you get blur-free images. You can also easily switch between auto and manual focus on the lens. - Source: Internet
• Sony FE 600mm F4 GM OSS The Sony FE 600mm F4 GM OSS is a big, serious lens for capturing distant action, but its price makes it purely for professionals and very serious enthusiasts. MSRP $12,999.99 MSRP $12,999.99 Sony FE 600mm F4 GM OSS Review - Source: Internet
• The coating that this prime lens owns is the Nano GI and Super EBC. Both of them reduce ghosting and flare. When it comes to optical construction, this lens owns 9 elements, into 6 groups. They include two aspherical elements, and they provide you with rich and sharp-quality pictures. - Source: Internet
• Fast-aperture ultra wide-angle zoom lens for Sony E-mount APS-C mirrorless cameras features the world’s first f/2.8 maximum aperture for Sony E-mount APS-C mirrorless in this category with a compact and lightweight design. This ultra-wide lens is particularly suitable for landscape, astrophotography, and architectural photography. - Source: Internet
• Here, we have another spec info that can give you enough confidence to make the final move. It has one hybrid aspherical, one aspherical, and one low-dispersion element. As a result, the lens can reduce chromatic aberrations, dullness and ensure high contrast images. - Source: Internet
• This lens is also known for being one of the sharpest zoom lenses on the market, so you’ll be sure your shots are of great sharpness on any Sony E-mount camera, especially the high megapixel ones like the A7RII, III and IV. The lens is also of great build quality and has a nice sunstar to it. The only ‘negative’ to this lens is that it’s the most expensive of all the choices. But if you can afford it, go for it. - Source: Internet
• This budget-priced APS-C wide angle prime lens features 7 Elements in 5 Groups with 12 Blade Diaphragm. Compact and Lightweight 0.31oz/143g yet built with Aluminum Body and Copper Core construction. - Source: Internet
• For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If you want to save some money, I highly recommend you go for the Sony 85mm F1.8 lens and use the money you saved to invest in other lenses instead. - Source: Internet
• The E 20mm F2.8 makes up for some of the disadvantages of the E 10–18mm F4 OSS lens. Firstly, its 20mm focal length makes it a better candidate if you’re looking for a lens that can be used in a larger variety of situations. - Source: Internet
• One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
• The high speed with an aperture of f/1.4 is outstanding. The lens has an autofocus and guarantees crisp, sharp photos. - Source: Internet
• Samyang has launched a new series of particularly compact lenses. One of the lenses in the series is the 45 mm f/1.8. - Source: Internet
• The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
• You should also consider the lens family. Sony gives its better optics a G designation and reserves the GM (G Master) moniker for its highest-quality lenses. If you own a high-resolution a1 or a7R model, it’s often worth it to splurge on a GM lens, but you can usually get excellent results with more affordable lenses if you work with an a7 or a6000 camera. - Source: Internet
• It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
• Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best lens you can get for travel for your Sony a7IV cameras. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens bringing new features and technologies to an all-purpose lens while keeping it light and small. - Source: Internet
• Characterized by its simple doublet optical design, this lens relies on spherical aberration to produce a soft and glowing image quality, while still delivering in-focus results, for an ethereal look. Softness can be adjusted by manually adjusting the aperture setting, and manual focus control is also available for working with subjects as close as 11.8″ away. This lens has a slim, pancake profile that measures just over 1″ long for portability and sleek form factor. - Source: Internet
• However, we still favor going in a different direction, and particularly when you factor in the size and weight of the Sony 18-200mm at 16.3 ounces. Mirrorless cameras are supposed to feel small, which is difficult to achieve with a lens of this size attached. Furthermore, you get good image quality throughout much of the range here, but the lens isn’t great at any particular focal length, which is why we generally favor going with more targeted zooms or primes. - Source: Internet
• The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
• The E 20mm F2.8 lens, however, won’t allow you to take the super wide-angle landscape shots that most of the other lenses on this list are capable of, however, there is also the E 16mm F2.8 lens available if you want to take wider shots. - Source: Internet
• I carry this lens in my backpack 100% of the time and I have the Sony 16-35mm f2.8 GM Lens mounted on my Sony camera 85% of the time. It is really that good! If you are looking for the best lens to shoot landscape/architecture, I guarantee you, you are going to love this lens. - Source: Internet
• The only fisheye lens for the Sony Alpha 6000 to date comes courtesy of the Korean manufacturer Samyang. With an ultra wide-angle focal length of 8 mm and an aperture of f/2.8, you can almost capture a 180-degree crop in your photos. - Source: Internet
• Looking for a complete review of the Sony 16-35mm F2.8 GM lens? Check out:A Traveler’s Review: Sony 16-35mm F2.8 GM Lens - Source: Internet
• Remember that the Sony a6000 is a mirrorless, which means it’s pretty compact and easy to pack. You may not want to contradict this benefit by getting a bulky lens. Oh, it may help to get a good camera backpack to properly carry your camera and lenses too! - Source: Internet
• This is one of my personal favourites and it’s a very popular lens for the Sony Alpha system. In fact, when I asked favourite travel lenses on a Sony A6000 Facebook Group it was the clear winner. It’s affordable and sharp beyond its price tag, great for landscapes. - Source: Internet
• With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
• The Sony Vario-Tessar 16-70mm above may be more versatile, but if you want top-notch image quality at a 35mm equivalent focal length, the 24mm f/1.8 Zeiss Sonnar is one of the best E-mount lenses on the market. It’s tack sharp, great in low light, focuses quickly, and produces impressive bokeh. Plus, you’re getting the premier focal length for street and travel photography, which is where much of the following for this lens comes from. - Source: Internet
• Of course, this is by no means an exhaustive list. I personally think these are the lenses that warrant the strongest consideration but there are so many other options. With mirrorless cameras like the Sony Alpha series you even have the option to adapt legacy glass so there’s no shortage of lens options. Whatever you use, if you’re happy with the results, more power to you! - Source: Internet
• Sony FE 16-35mm f2.8 GM Lens: If you are looking for a lens for your Sony a7IV to shoot landscapes and architectures on your travel, the Sony FE 16-35mm F2.8 lens is really hard to beat. - Source: Internet
• When it comes to the focal length, this lens works at 25mm; making it a standard normal lens. Therefore, the lens is a great choice when it comes to street photography. Unfortunately though, this lens does not have zooming capabilities, meaning that this is not a zoom lens. - Source: Internet
• Finally, you will love the lens’s bayonet mount construction as an accurate and durable mounting option. Also, its rubber-sealing helps prevent dust and water splashes from going inside. Overall, it can support you in outdoor activities. - Source: Internet
• What are the downsides of the Sony 35mm f/1.8? The most notable is cost: at around $425, it’s decently expensive for a prime lens of the APS-C variety (as we mentioned above, you can go cheaper with third-party options from brands like Sigma). Second, the zoom lenses below are more versatile, although you do sacrifice sharpness and low-light performance. Last, if you really want the best in image quality at this focal length, the Zeiss Touit 32mm f/1.8 is tough to beat, but that comes with a big jump in price to over $700. - Source: Internet
• Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
• As long as the aperture diaphragm is concerned, on this lens, you will deal with a seven-blade circular diaphragm that will help you capture pictures with the bokeh effect. The maximum aperture, in general, works at f/1.8; amazing when capturing bright environments. - Source: Internet
• Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
• The lens is also very compact and only weighs about 230 grams. And it’s almost the same price as the 45 mm lens from Samyang at around 360 euros. Definitely a highly recommended bargain! - Source: Internet
• Another extremely fast manual focus prime lens (35mm fullframe equivalent of 75mm) with a maximum aperture of f/0.95. Its wide maximum aperture is particularly useful in low light and for its extremely shallow depth of field. Designed to be equally effective for still photographers and cinematographers who want pleasing out-of-focus backgrounds created by the shallow depth of field. It has a geared, stepless aperture ring. - Source: Internet
• The Sony 70-350mm F4.5-6.3 is an excellent telephoto lens for anyone wanting to dive into close-up photography without getting near your subjects. This may include wildlife, sport events, and discreet street photography. - Source: Internet
• It does not have Autofocus and is completely manual focus, but that’s not a huge drawback for travel photography with this lens as pretty much everything is in focus when it’s set to infinity. In fact, I pretty much just leave it at infinity and don’t have to worry about focusing. This lens is pretty much always on one of my cameras when my travels take me into the wilderness as it’s fantastic for capturing sweeping landscapes. - Source: Internet
• The E 10–18mm F4 OSS lens can be used as an all-in-one lens if you’re happy with shooting at 18mm for street photography but ideally, this lens works best if complemented with another zoom lens such as the E 18-135mm F3.5-5.6 OSS or the E 16–55mm F2.8 G. - Source: Internet
• Imagine the stereotypical pictures captured by paparazzi with their super long, heavy lenses. Those would be telephoto lenses. These are a long-focus lens that lets you capture faraway subjects in extreme detail and close-up. - Source: Internet
• There are a couple of important considerations in choosing the Zeiss Touit 12mm. First, 18mm is fairly wide, so if you’re not a wide-angle specialist, it may make more sense to go with a zoom lens that is more versatile (for more info on this, check out our article on Lenses and Focal Lengths for Landscapes). Second, the Zeiss manages to be heavier than the Sony 10-18mm f/4—often it’s the other way around with primes. But if you’re a dedicated landscape, architecture, or astro photographer, this lens won’t disappoint. - Source: Internet
• Sigma 16-28mm F2.8 DG DN Lens: Again, the G Master lenses are not cheap and it might not be reasonable to buy them especially if you are just starting out so for those of you who are looking for an excellent but affordable architecture/landscape wide-angle lens for your travel, I highly recommend you take a look at the Sigma 16-28mm F2.8 DG DN lens. - Source: Internet
• The Sonnar T E 24mm F1.8 ZA allows you to take high-resolution wide-angle photography at low light with its fixed aperture of F1.8. While the shots you can take with this lens won’t be as super wide-angle as is possible with most other lenses on this list, it’s quite unique in its ability to take low-light, macro shots and shoot great bokeh. - Source: Internet
• The Sony FE 85mm F1.8 lens comes at only 371 grams which makes for a lightweight setup when you pair it with your Sony a7IV and it costs only around 550 USD retail which is almost half the price of the Sigma 85mm F1.4 DG DN lens. - Source: Internet
• With a 90mm focal length equivalent in the 35mm format, this is a mid-range telephoto length lens ideal for portraits. The minimum focus distance on this lens is 19.7″ with a maximum aperture of f/2.8 provides shallow depth of field and makes this lens effective in low light. Linear auto focus motor provides accurate and quiet focusing which is ideal when shooting video. - Source: Internet
• Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
• 12mm on the Sony A7RIII. A wide lens lets you get a strong foreground because of the extreme perspective. Photo by: ‘Albert Dros’. - Source: Internet
• The focus system that it uses is the STM – Stepping AF Motor. The STM brings a near-silent and smooth autofocus and it also allows manual focus override. Note that this is not a zoom lens, and it doesn’t have any zooming capabilities. - Source: Internet
• A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
• The most obvious drawback of the Sony 16-70mm f/4 is cost. At nearly $900, it’s one of the most expensive lenses on this list of any type. In addition, there can be some softness when shooting at the extreme ends of the zoom range, but the lens is tack sharp between about 35 and 50mm. If price is a major concern, the Sony 18-105mm above offers more range for $300 less, but we think the 16-70mm is superior from an optical perspective. - Source: Internet
• Manual focus Ultra-wide angle APS-C E-Mount Lens. Constructed of 12 glass elements in 10 groups with aperture range of f2.8 – f22. Minimum focusing distance of only 3.94 inches this lens takes a 72mm filters and includes a removable lens hood. - Source: Internet
• The Sony E 50mm F1.8 is undoubtedly a top contender for the best Sony a6000 portrait lenses. It’s very affordable and gives you a truly marvelous value for the money. - Source: Internet
• This street photography lens, as Sony says, is multi-coated. But what does that mean? That can basically mean one thing – the lens fully reduces the ghosting, flare, and reflections in any way. When it comes to the elements, this Sony lens owns 11 elements which are divided into 9 groups. The most important one, as always, stands aspherical which is one. - Source: Internet
• As I’ve talked about in other posts, and in outlining my own gear choices, travel photography is a bit of a balancing act and really comes down to your personal preferences. You don’t want to bring so many lenses with you that you’re spending more time swapping lenses than enjoying the moment. On the other hand, you also need good, sharp lenses that can capture the memories of your adventures. Nothing is worse than getting home and looking through your pictures only to realize that they’re soft or out of focus, knowing that it would cost thousands of dollars and time you probably don’t have to go back. - Source: Internet
• The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there allowing you to capture crisp and clear images of wild animals like birds or the big five during a safari trip. - Source: Internet
• If you are an experienced photographer or have used a full-frame camera before, crop factor can be very helpful in choosing lenses. For example, the Sony 10-18mm f/4 wide-angle lens is equivalent to 15-27mm, which actually is much more useful than the listed range (10-18mm would be ultrawide on a 35mm camera). Because of the importance of focal length equivalent in choosing lenses, we’ve provided it both in the product specs and our lens comparison table. - Source: Internet
• With an f/1.8 maximum aperture, this street photography lens can be used in any light condition. It fully captures amazing pictures in low light and bright environments too. The aperture diaphragm on the other way is rounded and includes seven blades. - Source: Internet
• Lens names sure are a mouthful, aren’t they? This is one of the most popular all around lenses for the A6000 and it would be great for travel photography. It’s bigger and heavier than the kit lens, but it’s much sharper and faster. Those that have this lens say that they almost never take it off their camera. Indeed, you could likely travel with this as your only lens. - Source: Internet
• It’s a robust, complete lens system that benefits from Sony’s early bet on mirrorless, along with support from numerous third parties. Ultra-wide, macro, telephoto—it’s all covered, in one form or another. But figuring out which lens is right for you can be tough, especially if you’re just getting started with the system. - Source: Internet
• We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
• Short telephoto macro prime lens designed for life-size, 1:1 maximum magnification pairs with a 10.2″ minimum focusing distance and a floating elements design to achieve high sharpness and clarity throughout the focusing range. Manual focus design includes focus distance and depth of field scales, along with a de-clicked aperture ring for smooth, silent rotation to suit video applications. Its 10-blade diaphragm provides pleasing bokeh. - Source: Internet
• We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
• The lens comes in only 173 grams and 43mm in length which makes it a perfect street lens to travel and carry around on your trip abroad. The aperture of F2.5 is fast enough for most situations and the focal length of 40mm is not too far from the recommended 35mm focal length for street photography. - Source: Internet
• Sony A6000 is a mirrorless camera, and it comes with Sony E-mount. The DSLR cameras from Sony have an A-mount system. So, you must check out whether the lens is compatible with the Sony E-mount system or not. - Source: Internet
• 180 degree rectilinear fisheye lens provides a 35mm-equivalent focal length of 12mm. With one hybrid aspherical element reduces chromatic aberrations. UMC coating improves light transmission and suppresses lens flare and ghosting for more contrast-rich, color-neutral images. Removable lens hood also helps to reduce lens flare and surface reflections. - Source: Internet
• To further demonstrate just how popular the all-in-one lens trend is, last year Sony released the 18-135mm to complement the existing 18-105mm f/4 and 18-200mm f/3.5-5.6. In terms of performance, we are impressed for the most part: the lens is decently sharp, lightweight for a zoom with this broad of focal length coverage, and comes with OSS image stabilization. At the end of the day, it’s lighter than both the Sony 18-200mm or 18-105mm and feels a bit more modern. - Source: Internet
• When it comes to recommending a landscape lens for a Sony mirrorless camera, there are several options to consider, ranging from the ultra-wide 12-24mm range to a more versatile 24-70mm. Our top pick for a Sony mirrorless landscape lens, one that offers a classic ultra-wide to wide zoom versatility, high image quality and a solid value, is the Sigma 14-24mm f/2.8 DG DN Art lens. - Source: Internet
• If you’re looking for even greater variety in the focal lengths of your one lens solution this is an option to consider. To fit everything from 18mm to 200mm in one lens definitely comes with some compromises so it’s not going to be as sharp as the other lenses on this list. But what it lacks in sharpness it makes up in versatility and convenience. - Source: Internet
• This pancake-style lens specifically designed for APS-C mirrorless cameras is extremely compact at 25mm long and weighs only 130g. It is the world’s widest rectilinear pancake offering a remarkable 109.3° angle of view. Featuring super-low distortion and excellent image quality, this is your go-to lens for street, landscape and everyday photography. Available in silver & black. - Source: Internet
• For crop-frame shooters, with cameras such as the A6600, A6400, or A6100, using a native APS-C-format lens for landscape photography and other wide-angle shooting is important. You can, of course, use full-frame “FE” format lenses on a crop-frame Sony camera (they all use the same lens mount). The crop-factor introduced by the smaller sensor will reduce some of the wide-angle field of view if you use a full-frame lens. - Source: Internet
• Thanks to the wide focal length range, it’s suitable for almost any shot. And you can probably save yourself the trouble of changing lenses with the travel zoom. At about 450 grams, the lens is obviously very heavy and you should definitely consider whether you really want to be saddled with such a juggernaut of a lens on the comparatively tiny Sony Alpha 6000. - Source: Internet
• Compact retractable zoom lens 16-50mm (35mm fullframe equivalent of 24-75mm) covers shooting lengths from true wide angle to standard portrait length and is a great day-to-day type compact lens. When powered on, the lens expands, but in its off position the lens is only 1.2″ (30mm) which will fit in your pocket. - Source: Internet
• A major difference, however, is the initial aperture, which is f/2.8 for the Tamron lens. This can make a world of difference, especially when shooting in low-light conditions or even at night. - Source: Internet
• Sony FE 85mm F1.8 Lens: Even though the Sigma 85mm F1.4 DG DN lens is the best portrait lens to get, it is not as light and affordable as this lens and if you are looking for a travel portrait lens that is the most compact and lightweight but capable of producing stunning bokeh, the Sony FE 85mm F1.8 is a much better option for you. - Source: Internet
• This lens wasn’t really on my radar until I posted in the Sony Alpha Facebook Group asking for opinions on the best travel lenses and it came up a couple of times as a recommendation. A little bit less wide than the Rokinon, it has autofocus and is also tack sharp. Again, it’s well suited for taking photos within cities, of vast landscapes, and even astrophotography. - Source: Internet
• This is an all-round lens that does it all. From taking stunning portraits and events, to wide-angle landscapes and even macro photos, your creativity is the only limit with this Tamron lens. It also offers excellent low-light performance, smooth video recording, and a magnificent autofocus! - Source: Internet
• This lens produces beautiful bokeh as you can come to expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost 700 USD cheaper! - Source: Internet
• This 7.3mm circular fisheye lens was specifically designed for Sony APS-C E-mount cameras. Called the Madoka, which means round in old Japanese, the lens offers a 180º angle of view and is the first compact mirrorless camera lens to provide circular fisheye images. - Source: Internet
• Mid-range zoom lens (35mm fullframe equivalent of 24-105mm) covering wide-angle to short telephoto perspectives. Constant f/4 maximum aperture offers consistent performance throughout the zoom range. Optical SteadyShot image stabilization, which serves to minimize the appearance of camera shake by up to four shutter speed steps. - Source: Internet
• Sony sells two types of mirrorless cameras. The a6000 series and ZV-E10 are built around the APS-C size, and its a1, a7, and a9 cameras use the larger full-frame format. Because of this, you need to be a bit careful and ensure that you buy the right lens for your camera. Sony consistently names its APS-C lenses with an E designation, while full-frame options get FE, but third parties don’t always follow suit. - Source: Internet
• As the best overall, we selected a 56mm Sigma prime lens for sony a6000. But some suggest that 50mm lenses for sony a6000 are better. There are slight differences in producing clear imagery in real life, and our selected model aces the other one. - Source: Internet
• Technically, any lens is capable of shooting human subjects. But a portrait lens would have the ideal combination of focal length and aperture range to produce the most lifelike recreation of the human face. It’s great if you love telling stories about people, especially on your travels! - Source: Internet
• Image quality is excellent, even wide-open, at both ends of the zoom range, and the weight savings really go a long way at making the Tamron zoom a pleasure to use for long periods of time. Plus, if you’re an APS-C Sony shooter, the lens also works very well with these smaller cameras compared to longer, heavier telephoto options. All in all, with excellent image quality, fast AF performance, compact construction and a fantastic price point, it’s no surprise that the Tamron 70-180mm f/2.8 Di III VXD got the nod onto our Lens of the Year picks for 2020 as a Telephoto Zoom Lens of Distinction. It’s an excellent telephoto zoom for Sony sports photographers. - Source: Internet
• It also costs around 600 USD which is more than half the price of the Sony 35mm F1.4 GM lens I recommended above. If you are only starting out and are looking to do more street photography when you travel, the Sony FE 40mm F2.5 G lens will be a great lightweight addition to your camera arsenal. - Source: Internet
• Best of all, the price of this lens is more than half of the Sony 16-35mm F2.8 GM lens, making it one of the best value wide-angle lens you can get. With such an extremely attractive price point, this Tamron lens even had a Sony avid fan like myself think twice about buying the 2000+ USD GM lens over the 900~ USD Sigma lens. If you are looking for an affordable landscape/architecture lens for your Sony camera, this lens is a great option to consider. - Source: Internet
• Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
• Summary: If you are looking for a true macro lens, you can get a Sony SEL90M28G FE 90mm. There are different macro models with different focal lengths. But 90mm or 85mm lens for sony a6000 hits the sweet spot according to the photography experts. - Source: Internet
• The focal length of 16-50 mm is fine for most purposes and the aperture of f/3.5 to f/5.6 is perfectly okay for a zoom lens in this price class. A big advantage is the very compact design and the light weight of the lens, which is just under 120 grams. - Source: Internet
• The Sony FE 20mm f/1.8 is very new, debuting just this past year. We’ve not reviewed the lens ourselves yet, but user reviews across the web note the lens’s sharp image quality performance, fast AF, small size and good control over coma (or comatic aberration) – a type of optical distortion that can occur to point light sources, such as stars. A lens with low comatic aberration is an important quality to consider when looking for an astrophotography lens. - Source: Internet
• Though we’ve not seen this lens in our lab, user reviews for the lens are largely positive, with owners noting the lens’s great sharpness, good close-focusing performance and affordable price point. Some criticize its slower AF performance, so keep that in mind if you shoot lots of moving subjects – however, the lens is designed for macro photography, so AF speed isn’t generally a priority. Overall, a sharp and affordable lens that serves as a great entry into the world of macro photography. - Source: Internet
• With a bright f/1.4 maximum aperture and 56mm maximum focal length, this Sigma lens meets the sweet-spot of extensive photography requirements. It is compact and doesn’t weigh much, making it the best travel lens for sony a6000. - Source: Internet
• The lens isn’t exactly cheap, currently selling for about 900 euros. But then again, prices for Tamron lenses tend to come down quickly. And you won’t be disappointed, the lens offers great value for your money. - Source: Internet
• Here’s another wide-angle lens option for you, which is the Sigma 16mm F1.4. This prime lens is perfect at handling low-light situations too, thanks to its fast and wide aperture. - Source: Internet
• As such, our other top recommendation for an upgrade pick is the Sigma 14mm f/1.8 DG HSM Art lens, the only other full-frame format lens with a 14mm focal length and an f/1.8 aperture. As an Art-series lens, the Sigma 14mm f/1.8 offers excellent and robust build quality as well as fantastic image quality performance, just like we’ve seen from most, if not all other Sigma Art-series lenses. - Source: Internet
• We have already talked about compatibility issues at the beginning of the article. In short, ‘E’ or ‘FE’ both types are compatible with A6000. Also, don’t forget to check that the lens supports APS-C sensors. - Source: Internet
• Tamron lens is also known for producing tack sharp images which is also the case for this lens too. If you are looking to get into wildlife photography and do not want to spend 2,000+ USD for a lens, the Tamron 70-300mm F4.5-6.3 lens is hands down, the best lens to get. - Source: Internet
• The best part about this lens is its form factor. Sony called this lens the world’s lightest Full Frame F2.8 constant aperture standard zoom lens weighing only 690g which is unheard of for such a versatile lens. - Source: Internet
• Compact 20mm prime lens for the Sony APS-C mirrorless cameras. Its f/2.8 maximum aperture is bright enough for low-light capture and shallow depth of field imaging and its optical design consists of three aspherical elements which correct distortions and aberrations and provide clear, high contrast, detailed images. A smooth, quiet internal stepping motor is used for both focus drive and aperture actuation. makes it ideal for shooting video. - Source: Internet
• To this street photography lens, Nikon added the famous Nano Crystal Coat and the Super Integrated Coating; both of them are Nikon’s. Those coatings are added to eliminate the reflections, that may occur during street sessions. When it comes to the elements, there are added two aspherical elements. All of them combined are able to deliver perfect color accuracy. - Source: Internet
• Versatile medium wide-angle lens (equivalent of 36mm in full-frame 35mm format) with superb Zeiss Sonnar optical design. The lens design includes aspherical lenses which compensate for distortion and an ED element which suppresses chromatic aberration, for excellent corner-to-corner sharpness – even wide open. The wide maximum aperture of f/1.8 is ideal for shooting under low-light conditions and to create photos with shallow depth-of-field. - Source: Internet
• You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
• If you’d prefer a slightly reduced wide angle, this lens is a good choice. Overall, it’s also designed to deliver a slightly better image quality than the 12 mm lens. It’s also priced a little higher at 350 euros. - Source: Internet
• Manual focus wide-angle APS-C lens (35mm fullframe equivalent of 24mm) with fast maximum aperture of f/2.0 is effective in low light shooting and provides shallow depth of field. With two aspherical lens elements and one extra-low dispersion element, chromatic aberrations are minimized and sharp, color-accurate images are the result. UMC lens coating facilitates even light transmission and reduces ghosting and flares. - Source: Internet
• But that doesn’t work both ways. You can’t use Alpha 6000 series with an Alpha 7 camera. You can mount the lens without a hitch, but it simply isn’t optimized for that type of camera. - Source: Internet
• We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
• The lens speed is very good, making it easy to play with the focus and blur. 45 mm is an unusual focal length, but from a mathematical point of view, it actually aligns more closely with the field of vision of the human eye. At least when you use the lens on a full-frame camera. - Source: Internet
• Compact normal prime features bright f/1.4 maximum aperture for control of depth of field and working in low-light conditions. The lens uses a Sonnar optical design, which prioritizes sharpness and low distortion for clear and accurate rendering. Small form factor features a durable anodized finish with a stylized engraving on the lens barrel of the optical design. - Source: Internet
• That said, the Rokinon 12mm faces a major drawback: no autofocus. While some people may not have an issue with focusing manually—and some of us even prefer it— it’s not a great system for beginners. In addition, we found the manual focus to be a bit clunky on this lens in particular, but we like the sharpness and build quality. For comparison, the Zeiss 12mm Touit has similar optics and is more than double the cost. - Source: Internet
• This compact budget-priced manual-focus wide-angle prime lens is ideal for landscape, interior and architectural photography. Its f/2.8 maximum aperture is ideal for low-light shooting while maintaining a small and lightweight form factor for handheld shooting. - Source: Internet
• Compact portrait prime with bright f/1.4 maximum aperture well-suited for available-light photography and selective focus for shallow depth of field. The six elements, five groups optical design is enhanced with a multi-layer coating to suppress flare and ghosting for improved contrast and color rendering in a variety of lighting conditions. Manual focus design of the lens permits focus as close as 1.1′ and its 14-blade diaphragm contributes to a pleasing bokeh. - Source: Internet
• There’s the aperture too! In this street photography lens, we deal with a maximum aperture of f/1.8. It is the most common aperture for street photography, just as you can notice in all of the lenses in this article. There’s a seven-blade diaphragm of the aperture, and it brings a very pleasing bokeh effect. If you want great image quality, then this is the lens to go with. - Source: Internet
• The length, 80mm front diameter, and gear ring positions of the 85mm lens matches that of other Veydra Mini Prime lenses, allowing you to swap between them without having to adjust the position of your follow focus or matte box. The lens also features a common T2.2 maximum T-stop as well as multi-coated elements for color consistency. - Source: Internet
• Tamron 28-75mm f2.8 G2 Lens: For a cheaper alternative, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony GMaster lenses. - Source: Internet
• You may want to choose a longer lens for shooting sports and wildlife, while 50mm is often a popular length for portraits. That’s because this is close to the human’s natural viewing angle. The minimum focus distance is also determined by the focal length. - Source: Internet
• The lens’ Cassegrain design enables it to achieve a 450mm 35mm-equivalent focal length perspective within a compact and lightweight lens design that is significantly smaller than a traditional 300mm lens. It features a fixed f/6.3 aperture and utilizes manual focus operation for focusing as closely as 2.95 feet. One extra-low dispersion element and the inherent mirror construction of the lens work to eliminate chromatic aberrations. - Source: Internet
• The Sony a6000 doesn’t come with built-in image stabilization, which can be a deal-breaker for some people. But we would say there’s nothing to worry about because most of the lenses we are recommending today feature optical image stabilization. This will help you take sharp images every time! - Source: Internet
• And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
• Sony makes a number of FE-mount (full frame) lenses for its a7 series cameras. Are these lenses compatible on E-mount cameras without an adapter? The short answer is yes. However, FE lenses are quite expensive and beyond the price range of many people who buy APS-C cameras. In addition, FE-mount lenses generally are heavier and bulkier than E-mount lenses, which you’ll notice even more on compact and lightweight cameras like the a6500 and a6300. On full-frame cameras like the a7R IV, Sony actually reinforced the lens mount, and those cameras were much larger to begin with. - Source: Internet
• For those who can afford it, the Sony 16-70mm f/4 is one of our favorite zoom lenses for Sony APS-C mirrorless cameras. It gives you superb sharpness and image quality from an equivalent of 24-105mm, which covers everything from landscapes to portraits (it’s a terrific option for travel too). The long name is a result of Sony’s partnership with Zeiss, which is most obvious in the T* coating that results in excellent clarity and color. Compared to any of the kit zooms, this lens will blow them out of the water. - Source: Internet
• The whole body of this lens measures 4 x 5.3 inches and the weight is about 9.9 ounces. Differing from the others, this lens comes only in one color and it is black. Its body is very robust, and the lens is fully resistant to dust and moisture in general. - Source: Internet
• Sony also offers lenses for the A-mount. Unfortunately, these lenses won’t fit on your camera because they’re designed specifically for Sony SLR cameras. So you always need to make sure you’re buying the right mount when shopping for lenses. - Source: Internet
• When it comes to prime lenses, i.e. lenses with fixed focal lengths, the range available for the Sony Alpha 6000 is considerably larger. Third-party manufacturers like Sigma and Samyang in particular have quite a large selection to choose from in this category. - Source: Internet
• There are currently so many brands creating lenses for the Sony E-mount system that it’s hard to keep up. The brand new Sony 14-24 f/2.8 Sigma lens that was designed for the E-mount system is an interesting option. As there are currently not many tests out yet and I haven’t used it for more than a few days, it’s hard to currently say how good this lens performs. - Source: Internet
• There are several reasons to choose prime over zoom lens for your Sony A6000. Especially if you are a street photographer, videographer, or travel photographer, this can be the best option for you. Now, let’s find some factors to consider while buying the best prime lens for the sony alpha a6000. - Source: Internet
• Sony’s new premium quality 16-55mm f/2.8 zoom lens features four aspherical elements and three extra-low dispersion elements to control spherical and chromatic aberrations for greater sharpness and clarity. Nano AR Coating reduces surface reflections and flare for improved contrast. Linear tracking provides Real Time Tracking and lightning fast Eye AF. Compact size & weight are perfectly suited to Sony a6000 Series cameras. - Source: Internet
• Though we’ve not yet reviewed the FE 85mm f/1.8 in-house, user reviews, as well as other reviews from industry colleagues, are overwhelmingly positive for this compact full-frame prime lens. Reviewers praise the lens’ sharpness, size and bokeh as well as its overall value, with a price right at or a little under just $600, depending on sales or discounts. Overall, on a budget or not, the little Sony FE 85mm f/1.8 hits all the high marks for a solid portrait prime for Sony photographers. - Source: Internet
• Wide-angle prime lens designed for APS-C-format Sony E-mount mirrorless cameras offers bright f/1.4 maximum aperture ideal for working in low light and enables enhanced control over depth of field. Optical design incorporates a pair of extra-low dispersion elements and a pair of high refractive index elements, which combine to suppress a variety of aberrations and produce high sharpness, clarity, and color accuracy. - Source: Internet
• We understand the draw to all-in-one lenses. Instead of buying and carrying multiple zooms or primes, one lens covers everything from wide angle to telephoto. They aren’t, however, the best from an image quality perspective and lag behind purpose-built lenses at their respective focal lengths. The Sony 18-200mm does capture sharp images, comes with OSS for when natural light is low, and is faster than the 55-210mm above. Most importantly, you can throw it on your camera and never need to change glass. - Source: Internet
• The number of elements added to this lens is 9, and all of them are divided into 7 groups. The most important elements stand the two aspherical ones. To this lens, Olympus also added their famous ZERO coating. It is a coating that eliminates flare, ghosting, and any reflection. - Source: Internet
• This lens completes the Sigma large aperture series of portable wide-angle, standard, and telephoto prime lenses in Micro Four Thirds and Sony E mounts. Featuring compact design, light weight and outstanding image quality offered in Sigma’s Contemporary line, this lens stuns with a beautiful bokeh effect and the amount of brightness expected from F1.4 lenses even in the mid-telephoto range for cropped sensor cameras. - Source: Internet
• Many cameras, like Sony’s Alpha a6600, now come with impressive video capabilities. These little bodies can pack a punch with the ability to shoot in 4K at 30fps and 1080p at 120fps with internal stabilization. Although we didn’t focus too much on video above since it’s not a priority for most shooters, many of the lenses on our list are great choices for those looking for a solid video set-up. - Source: Internet
• The E 18-135mm F3.5-5.6 OSS lens is a fantastic mid-range upgrade from your standard kit lens that will allow you to continue to take landscape shots as well as many other types of photography. - Source: Internet
• Image quality from this super-zoom lens is outstanding, offering very sharp performance across the zoom range. The narrower and variable aperture design helps maintain the lens’s smaller size but at the expense of low-light performance. That said, modern Sony cameras do very well with high ISOs, so the dimmer aperture it probably a tradeoff that most will overlook. The build quality is also excellent, with rugged, weather-sealed construction, and the internal-zooming design keeps the lens balanced and avoids lens creep that we often see with long-zoom lenses that extend. All in all, one of our favorite Sony lenses for wildlife photography! - Source: Internet
• The speed of f/1.4 is fantastic and the lens has an autofocus. You can get the lens for under 400 euros, which is really good value for money. - Source: Internet
• Perfect moments in nature or any other photography don’t stay long. So, you need something that can help you take quick actions and focus almost immediately. Get a lens that comes with an autofocusing system supported by a motor. - Source: Internet
• It has autofocus and Sony’s Optical SteadyShot Stabilization allowing you to use slower shutter speeds at night. At F4.0 it is maybe a bit slower than some would like but still perfectly capable. This is certainly a wide angle lens worth considering for your travel needs. - Source: Internet
• This standard angle manual focus lenses for mirrorless cameras with APS-C sensors offers a bright F1.2 aperture to allow fast shutter speed even under the restricted lighting conditions. It also offers shallow depth of field with beautiful Bokeh. Samyang Optics Ultra Multi Coating and two aspherical lenses have been included among nine glasses in seven groups to minimise aberrations. - Source: Internet
• Reviews of this lens are all overwhelmingly positive, with users noting the lens’s excellent sharpness, color rendition and it’s versatility – not only due to its zoom design but also by the fact that it readily accepts teleconverters for even more reach. The lens is a bit heavy and expensive, but if you can look past those factors, the Sony FE 70-200mm f/2.8 GM is an absolute stunner. - Source: Internet
• Powerful, yet compact zoom lens for APS-C format E-mount mirrorless cameras with an internal linear stepping motor that provides quiet and smooth focusing that’s ideal when shooting video. Power Zoom offers three variable zoom speeds, plus it offers constant speed zooming for slow, smooth zooms when shooting video. Zoom can be controlled from camcorders that feature built-in zoom levers and by the standard control on the lens barrel. - Source: Internet
• The focus of this lens is driven by the Stepping Autofocus Motor, which does a great job. The focus is fast and quiet at the same time. If you want great image quality, then this is the lens you should go for. - Source: Internet
• The first is aperture, which is often denoted by the letter “F” and a number. The aperture is basically how much light that can enter a lens due to its opening. A low aperture number (like F1.8) means the sensor can open wide and therefore allows you to take detailed images in dark environments. - Source: Internet
• Due to the 6-blade aperture mechanism, it is possible to take photos as close as 7.9″ from the object. Durability and longevity won’t be an issue here as the lens has an aluminum alloy body with a petal-style hood. - Source: Internet
• Picking a lens for travel and street photography can be a difficult task. For street photography, you might lean towards something small, lightweight and discreet, whereas for travel purposes, you’ll likely do well with some zoom versatility. In both cases, though, you’ll probably want to keep your Sony camera kit as simple and as lightweight as possible; in other words, a single-lens setup. Think: walking around on vacation, exploring a new city or going on a hike. Having a light but versatile camera setup is key. - Source: Internet
• Sony FE 20mm F1.8 G Lens: If you are looking for a lens to vlog your travel with your Sony a7IV, the Sony 20mm F1.8 G lens is a great lightweight lens that both perform extremely well while being reasonably priced, making it a perfect starter lens for to start your travel vlogging career. - Source: Internet
• If your requirement doesn’t meet any prime lens with an E-mount, you can buy a converter and use the A-mount ones. Also, it won’t matter whether the chosen one has an E or FE mount. Here, E means crop sensor compatibility, and FE means full-frame sensor compatibility, and A6000 supports both. - Source: Internet
• Once again, there is a lot to like about the 16mm f/1.4 from third-party manufacturer Sigma. This wide-angle prime is extremely impressive in terms of sharpness and low-light performance, beating out the Sony 16mm f/2.8 by a wide margin. With a focal length equivalent of 24mm, it’s a nice option for landscapes, and you simply won’t beat the low-light capabilities with any comparable prime or zoom lens for Sony E Mount. - Source: Internet
• Following on from my articles dedicated to Sony lenses, I’m going to focus today on lenses specific to portrait photography. In a way, this is a summary of several articles dedicated to specific focal lengths, especially used for portraits, such as the best 35, 50 and 85mm lenses of the brand. Portrait being a type of photo that we do quite regularly, whether you are an amateur, enthusiast or professional, I would like to present you here the best Sony lenses for portrait photography. To go further, I invite you to read our article explaining in detail how to choose a lens for portrait photography, a general article covering all the basics. - Source: Internet
• This compact prime lens (35mm fullframe equivalent of 52.5mm) offers a fast f/1.8 maximum aperture ideal for blur-free capture of fast moving subjects and shooting in low light. Quiet linear motor controls focus and in-lens stepping motor controls aperture offer smooth and virtually silent lens action, ideal for shooting video. Sony’s built-in Optical Image Stabilization system provides approximately 4-stops worth of anti-shake control. - Source: Internet
• Priced a hair under Ten-Thousand-Dollars, this Super 35 E-Mount lens features a 21-100mm zoom range, making it a one-size-fits-all alternative for budget-constrained productions. The lens is optimized for digital cinematography with focus markings in feet. It will cover image sensors sizes up to Super 35mm. - Source: Internet
• Last but not least, I cannot conclude the list of street photography lenses without mentioning a lens from Canon! The EF 50mm f/1.2 L USM is Canon’s most perfectly made lens, and it works amazingly with any type of camera that Canon has ever launched. It is a standard lens. - Source: Internet
• The E 16–55mm F2.8 G lens allows you to take a range of shots from wide-angle to portrait lens with an auto and manual focus switch on the lens. Its F2.8 aperture is good for low-light photography and as this is a premium lens, it offers some of the best high-resolution image quality that you can find from lenses in this article. - Source: Internet
• When it comes to picking a lens for portraiture, you’ll most likely want something with some telephoto reach. Wide-angle lenses, on the other hand, can distort and accentuate facial features in an unflattering way, whereas a longer standard-focal length or short telephoto lens will capture a more natural, more pleasing representation of your subject. Traditionally, an 85mm prime lens has been a classic portrait go-to, offering a good focal length for natural-looking portraits and good subject isolation thanks to the wider aperture than what you typically find on a kit zoom lens. The wide aperture helps blur out the background of your shot and help your subject stand out more. - Source: Internet
• Many of Sony’s E-mount lenses have built-in Optical SteadyShot (OSS) image stabilization (you’ll notice the OSS moniker at the end of the lens name). This technology is similar to Nikon’s Vibration Reduction (VR) and Canon’s Image Stabilization (IS) in that the lens itself helps to offset camera shake in subpar lighting conditions. Essentially, a floating element in the lens shifts according to movements, which can be particularly helpful when using bulky telephoto lenses. This differs from in-camera image stabilization, which occurs when the sensor itself undergoes a similar process. The Sony a6600 and a6500 currently are the only Sony E-mount cameras to offer in-camera image stabilization (it’s also available on Sony’s full-frame a7 series). - Source: Internet
• Versatile short-tele lens with an exceptionally fast f/1.2 maximum aperture offers impressive control over depth of field, for isolating subject matter, as well as for enhanced low-light performance. The lens uses a Sonnar optical design, which prioritizes sharpness and low distortion for clear and accurate rendering. Manual focus design, capable of focusing as close as 1.6′ away, and a 10-blade diaphragm that contributes to smooth bokeh. - Source: Internet
• Unlike the Tamron 17-28mm F2.8 lens that I recommended earlier, the Sigma lens does go all the way to 16mm which makes it great for many travel applications. The lens doesn’t go as tight as the Sony GM with its 35mm focal range but I am happy to sacrifice the tight focal range for a lens that is more compact and lightweight. - Source: Internet
• Wide-angle prime lens provides 35mm-equivalent focal length of 15mm for a 109.5 degree angle of view, this lens is well-suited for interior, architectural, and landscape photography. One extra-low dispersion element and two aspherical elements have been incorporated into the optical design to minimize chromatic aberrations and distortion. Nano Coating System (NCS) reduces surface reflections to prevent lens flare and ghosting. - Source: Internet
• Given the rather expensive wide-angle lens options above such as the Sony 10-18mm f/4 and Zeiss 12mm f/2.8, we like thinking outside the box with the Rokinon 12mm f/2. This manual focus lens comes in a Sony E Mount and is reasonably priced at around $250. And perhaps most impressive is its maximum aperture of f/2, which is terrific for astrophotography and other low-light photography. - Source: Internet
• Of course, size comes hand-in-hand with weight. This can be especially important to factor in if you’re packing for an epic trip abroad. As you’ll have to carry around the camera, lens, and other accessories, you might prefer a more lightweight lens. - Source: Internet
• The lens is small and compact, to the point where you can practically fit your camera in your pocket when it’s attached. The focal range is perfect for a wide variety of travel photography so it certainly warrants consideration. They say that the best camera is the one that you have with you and that applies to lenses as well. - Source: Internet
• Another question to consider is where you will be using it and what you like to take photos of. Do you like large, dramatic landscapes? Colourful city action? Maybe you like to capture the local culture. Whatever the choice it will inform your lens preferences. - Source: Internet
• Another important point to consider is the aperture. How bright or clear the image would depend greatly on the aperture of a lens. A large aperture lets more light in the lens and vice versa. Another advantage is that a wider opening or large aperture performs the best in low-light conditions. - Source: Internet
• This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
• The other nice thing about the Sony A7III when it comes to shooting in the city is that the camera surprisingly small for a full frame camera. When you’re already pulling around photography equipment or backup lenses the size difference is negligible, but if you’re planning to use the Sony A7III as a ‘grab and go’ camera for street photography, it’s size is a saving grace. Even a couple of years after it’s release the small size means the Sony A7III is great in 2022. - Source: Internet
• This lightweight and compact lens is exceptionally portable (it will fit in your pocket). It features an internal stepping motor for smooth, accurate, and very quiet auto-focusing for photos and videos. Its fast f/2.8 maximum aperture helps to deliver clear images in low lighting. - Source: Internet
• Budget-priced compact portrait-length prime lens features a bright f/1.8 maximum aperture well-suited for everyday shooting. Multi-layer coating to reduce ghosting and flare for contrast and color fidelity in harsh lighting and backlit conditions. Manual focus design permits working with subjects as close as 1.6′ and 12-blade diaphragm produces a smooth, rounded bokeh. - Source: Internet
• There’s no need to go for the most expensive lens if you won’t end up using its full features. For example, you can save a lot by buying the F2.8 instead of the F1.4 version of the same lens. Especially if you know that you’ll be mostly shooting outdoors or in well-lit conditions. - Source: Internet
• The lens is hardly a lightweight at around 525 grams. But on the plus side, it’s sturdy with a high-quality build, even offering protection against dust and splash water. So you don’t have to worry too much about the weather while traveling. - Source: Internet
• This cine prime lens has a 300° barrel rotation and a constant volume focus design (internal focus) wherein the front of the lens doesn’t come out when you change focus, providing for compatibility with rod-mounted accessories such as matte boxes. It also incorporates 0.8 MOD focus and iris gears, allowing it to interface with standard lens accessories, and the bright yellow dual focus scales allows the lens to be easily read from either side. - Source: Internet
• So given the choice, you’re always better off choosing the cheaper lens. Samyang is generally a bit cheaper, so we always link to the Samyang lenses in this guide. The price for this lens usually hovers around 300 euros. - Source: Internet
• In our review, we praised the lens’s image quality performance, even when used wide open – which is very impressive. The super-wide aspect ratio is also very fun to use, offering a unique perspective for some very dramatic images. We also noted the lens performed very well in controlling comatic aberrations. Though originally designed as a DSLR lens, Sigma has since come out with a native Sony E-mount version of this lens, helping do away with the need to use a mount adapter. - Source: Internet
• For sports photography, you’ll most likely want a telephoto lens, something with reach to help bring the action up close. You’ll most likely not be able to get right up next to the sidelines, so a longer telephoto lens will be critical to getting pleasing, action-packed sports photos. Now, depending on the particular sport you’re photography, how much telephoto reach you’ll need can vary dramatically, but a classic go-to for many different popular sports, such as football, soccer, basketball and tennis, is a 70-200mm lens – and a 70-200mm f/2.8 variety, if possible. - Source: Internet
• Tokina has announced 35mm, 50mm, 85mm T1.5 Fullframe Cine Prime Lenses available in PL, EF, MFT and Sony E-Mount. They feature 9 blade apertures and 300 degree focus rotation and all have identical 112mm filter threads. They also have matching iris and focus positions, making it much simpler to switch lenses when using a follow focus. - Source: Internet
• If you can find one for a good price, go for it. Another nice property of this lens is the ‘sunstar’ that it produces. When photographing into the sun, this lens has a very distinctive sunstar that you can recognise immediately over every other lens. I think it’s beautiful, but that’s subjective, of course. - Source: Internet
• Cameras that can swap out lenses, like those in Sony’s mirrorless system, don’t work with just any lens. You need to shop for one that’s made for your camera. If you opt for the Sony system, you benefit from a decade’s worth of lens development, which means there are oodles of optics from which to choose. - Source: Internet
• The Sigma 30mm F1.4 certainly raises the standard for F1.4 lenses with its exceptional optics and compact design, which is perfect for a mirrorless camera like the Sony a6000. - Source: Internet
• Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
• This prime portrait-length lens (35mm fullframe equivalent of 75mm) features a bright f/1.8 maximum aperture with a seven-blade circular aperture that provides a smooth out-of-focus backgrounds. Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps to support use in low-light conditions. - Source: Internet
• Simply select your camera from the dropdown menu, then dial in your lens’s focal length. Pick your f-stop, set your ideal subject distance (i.e., point of focus), then hit Calculate. - Source: Internet
• The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
• The reasons include getting less noisy, bright, and crisp images. You can even consider it as the best low light prime lens for sony a6000 for its aperture specification starting from f/16. The full range of the aperture mechanism provides better control over the depth of field. - Source: Internet
• Fast wide-angle prime lens designed for APS-C Sony E-mount mirrorless cameras, where it provides a 36mm equivalent focal length. The bright f/1.7 maximum aperture is ideal when shooting in low light and it allows increased control for shallow depth of field photography. Extra-low dispersion glass has been incorporated into the optical design to control aberrations and distortions for increased clarity and color accuracy. - Source: Internet
• For those of you who are looking for the best and lightest travel lens to buy for your Sony a7IV, this is the one to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all. - Source: Internet
• If you’re taking a trip to London, Rome, or anywhere where midrange lenses shine, the FE 55mm F1.8 ZA lens is going to be one of your best bets. It’s a great midrange lens that’s lightweight and adaptive to pretty much anything you need during a day of city travel. An overall great choice for ensuring the best pictures of your big city vacation. - Source: Internet
• To get those immersive street images, I recommend the Olympus M.Zuiko Digital 25mm F1.8 if you are a street photographer and are unsure of which lens to use. - Source: Internet
• The Sony 14mm F1.8 GM lens is designed to do just that. With the ultra-wide focal length of 14mm, you will be able to capture the stunning landscape in all its glory while also retaining the expansiveness of the night sky all in one frame. - Source: Internet
• The zoom design of a 70-200mm lens provides excellent versatility for a variety of sports subjects, and the 200mm reach at the long end is a really solid telephoto focal length for distant subjects. An f/2.8 aperture, though not absolutely critical for every sports photography endeavor, helps in several ways, including more pleasing subject isolation (out-of-focus backgrounds) and simply letting more light into the lens. The latter will let you shoot with faster shutter speeds, helping you get crisp, blur-free action shots; plus, it will help if you need to shoot indoors or in other lower-light situations, letting you also shoot with a lower ISO setting (and thus less noise and grain). - Source: Internet
• If your travel photography preference is to have the sharpest, best lenses possible then you’ll probably be looking to pick up a series of Prime lenses. To be clear, there is still a compromise here as it can be a pain switching between prime lenses. Switching often exposes your camera’s sensor to potential dust, meaning you may need to clean it more often, or you may even decide that you need to invest in a second camera body. - Source: Internet
• For landscape photographers looking for the versatility of a wide-angle zoom, the Sony 10-18mm f/4 is the leading option. This lens is sharp, has minimal distortion, focuses quickly, and weighs a reasonable 8 ounces—that’s considerably lighter than comparable wide-angle options for digital SLRs. Pair this lens with a camera like the a6600, and you have one heckuva set-up for outdoor photography. - Source: Internet
• Our pick for crop-sensor photographers is the Sony E 10-18mm f/4 ED OSS. Offering the widest-angle zoom range in the Sony E-mount lens lineup, the 10-18mm lens offers a 15-27mm-equivalent field of view, which makes it a versatile and capable landscape photography lens. Though we have not reviewed this lens, user reviews and other reviews are by and large extremely positive, with praise going to its optical performance in most situations, its lightweight and compact design, built-in image stabilization and the ability to use front screw-on filters. With a price of around $800, it won’t set you back too much. - Source: Internet
• If you want to shoot portraits, you’re going to need a lens with a high aperture. If landscape photography is more your style, it’s important to use a lens with a very short focal length. Or if you want to take pictures of wild animals, for example on a safari, you should opt for a wide focal length. - Source: Internet
• The most budget option is the Samyang 14mm f/2.8, the ‘old’ manual version (there is also a new Sony E-mount version with autofocus, but it’s not that sharp at f/2.8). If you don’t have a fast wide angle lens and you’re on a budget, this is the lens to get. It’s surprisingly sharp (if you get a good copy, because quality control is a thing with this particular lens). - Source: Internet
• If you’re headed ‘out there’ and need something a little more robust to take wide landscape shots, the Zeiss a fantastic option. It’s one of the oldest wide-angle lenses on the Sony e-mount system, but that doesn’t mean it’s been outclassed over time. The lens is like a cast iron pan, it’s not new, but it’s the best thing in the kitchen. - Source: Internet
• There are also photographers who prefer primes to zoom lenses in regards to landscape photography. Prime lenses often offer more sharpness. However, these days the zoom lenses are of such high quality that the sharpness often does not differ to an extreme amount. - Source: Internet
• Choosing an upgrade option here is quite tricky because, at the time of publishing this article, Sony has just recently announced an FE 14mm f/1.8 GM lens that appears to be an all-out stunning lens, particularly for astrophotography. However, as it’s so new, we’ve not yet had any chance to get hands-on with the lens, and reviews around the web are also few and far between – particularly from other owners since the lens is not yet in stock. - Source: Internet
• Sony stands among the best-known names all around the world for cameras. They indeed bring the best ones! Besides its cameras, Sony is also known for its lenses. Here goes the Sony FE 35mm F1.8, a wide-angle one, standing as the best lens for street photography with a Sony camera. - Source: Internet
• First of all, you all should know what the focal lengths mean in lenses. It is basically the distance between the lens and the image sensor. It is measured in millimeters and always the focal length is added to the name of the lens. That way, you can notice what lens you are looking for. - Source: Internet
• This zoom lens (35mm fullframe equivalent of 27-158mm) covers wide-angle to telephoto. It has two extra-low dispersion elements and three aspherical elements to minimize distortion and chromatic aberrations with enhanced contrast and clarity. Constant f/4 maximum aperture and Optical SteadyShot image stabilization. - Source: Internet
• With a focal length equivalent of 18mm, the Zeiss Touit 12mm is for serious wide-angle photographers. For those who don’t know, Zeiss makes some of the premier glass on the planet both for consumer and industrial use, and the company’s lenses are extremely popular among enthusiasts. The Zeiss Touit 12mm f/2.8 offers better low-light performance than the Sony 10-18mm f/4 above by a full stop, excellent sharpness, minimal distortion, and superb color rendition. All told, you’d be hard-pressed to find a better wide-angle lens. - Source: Internet
• I have used this lens for lots of landscapes purely because I love the 12-24mm range. One of the negative aspects of this lens is that you can’t use ‘normal’ filters on it. It doesn’t have a screw thread and you can’t attach 100mm square filters. You will have to buy a separate holder and use 150mm+ filters. - Source: Internet
• Unfortunately, the lens doesn’t have an image stabilizer. Instead, it comes with a new autofocus motor installed that’s reported to be very fast and barely audible. That makes the lens a great choice for recording video. - Source: Internet
• If price is no object and you want the top-of-the-line telephoto zoom lens for sports photography, the Sony FE 70-200mm f/2.8 GM lens is the go-to lens. Sony’s flagship mid-telephoto zoom lens, the 70-200mm G Master lens, features fantastic image quality, swift autofocus and rugged, durable construction. It’s also quite pricey, as one might imagine, at around $2,600. - Source: Internet
• Given the cost and technical challenges of adapters, we tend to think of them more for full-frame cameras than APS-C cameras. First, the cost of the adapter is significant relative to the cost of the lenses (the Metabones adapter currently is $399, for example). And the weight and bulk of many DSLR lenses will be noticeable on Sony’s relatively compact mirrorless camera lineup. Grab an adapter if you absolutely need it, but we prefer going with Sony’s native lenses or third-party models with E mounts. And the good news is that in 2019, there are ample options to choose from that don’t require an adapter. - Source: Internet
• When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
• Though Sigma already released an 85mm f/1.4 HSM Art DSLR lens some years back, this “DG DN” version has been redesigned for mirrorless cameras, namely Sony E-mount and L-mount cameras. The lens has been redesigned for mirrorless, utilizing a new optical formula and a new AF system powered by a stepper motor. All in all, the updated 85mm f/1.4 DG DN Art is a stunning portrait prime for Sony (or L-mount) mirrorless cameras. - Source: Internet
• That’s really good for a price of just 350 euros. Of course, you have to accept a few minor imperfections, e.g. this lens doesn’t have an integrated image stabilizer. But it’s still really great value for money! - Source: Internet
• With the Sony SEL50F18B, Sony offers a very nice standard lens for the portrait range. The aperture of f/1.8 allows you to shoot with a very low depth of field. - Source: Internet
• Putting a midrange lens like the Sony FE 55mm F1.8 ZA onto the A7III is a fantastic street photography experience as it’s a lightweight package that acts as a good ‘generalist’ setup. If you’re looking to take some landscape shots during your travel, then you might want to look into a lens like the Sony Zeiss 16-35 for a better wide-angle experience. - Source: Internet
• Summary: For those who like to travel a lot or do outdoor photography, this would be the best option for its features, specs, and weather-proofing construction. It is a bit expensive, but you are getting a reliable Sony-quality in return. So, you can confidently buy this best street photography lens for sony a6000. - Source: Internet
• When it comes to photographing the night sky, astrophotography isn’t really tied to any one focal length lens, technically, but oftentimes you want to capture a broad, expansive view of the night sky, stars, galaxies and the like. To do that, one needs a wide-angle or ultra-wide-angle lens, something very short, often less than 24mm, in order to capture a wide perspective. Additionally, another key factor for a good astrophotography lens is a wide or bright maximum aperture – the brighter, the better in order to gather as much light as possible and keep the ISO levels down as much as possible. So while astrophotography compositions can come in all sorts of framing and perspectives, we’re going to recommend a couple more common types of lenses: ultra-wide-angle lenses with bright apertures. - Source: Internet
• Much like a lens for sports, you’re going to want a lens that offers a nice, longer telephoto focal length. In fact, in some cases, your “sports photography” telephoto lens can do double-duty as a wildlife photography lens. That said, a 70-200mm-style lens may not be telephoto enough for wildlife photography, especially if you want to photograph birds. When choosing a proper wildlife-focused telephoto lens, finding something that reaches out to a least 300mm to 400mm is a good starting point. When photographing wildlife, you probably won’t be able to get very close to your subject, and so having a long telephoto lens will allow you bring that far-off subject up close. - Source: Internet
• Now, much like the other categories on this list, you also have a choice of prime (single focus length) or a zoom lens. Prime wildlife lenses can often be quite large and expensive, with some of the benefits there being fantastic optical quality and brighter apertures, which let them perform in lower light and have gorgeous shallow depth of field. That said, it’s hard to look past the versatile of a zoom lens, which is why we’re focusing on zoom lenses here for our recommendations. - Source: Internet
• Sony mirrorless cameras are wide-ranging both in price and features, generally offering something for every level of photographer, and are also capable for nearly every type of photographic pursuit, be it landscape photography, portraiture, sports and wildlife or astrophotography. But, the key to capturing stunning photos (or video) of your desired subject is getting the right lens for the job. While your kit lens may be pretty good, making a small investment in additional lenses can dramatically boost the creative flexibility of your camera – and the quality of your photos. - Source: Internet
• In contrast, lenses that have a fixed focal length are known as prime lenses. This means your lens is fixed at a certain focal length and cannot be zoomed in or out. You’d have to move closer or farther away from your subject to reframe your scene. - Source: Internet
• There are a number of viable travel zooms for Sony APS-C mirrorless cameras, but we think the 18-105mm f/4 offers the best combination of price and performance. For around $600, this lens is sharp, focuses reasonably well, and has the same f/4 maximum aperture and OSS image stabilization as the pricier 16-70mm f/4 below. We also like the additional reach at 158mm vs. 105mm, although you do sacrifice a handy 3mm at the wide end. - Source: Internet
• One major shortcoming of the Sony 18-105mm f/4 G is weight: 15.1 ounces makes it one of the heaviest models on the list behind only the 18-200mm and 16-55mm. It also can struggle with edge sharpness across some apertures, although that is fairly normal for a lens of this type. In terms of other options in this category, we also like the Sony 16-70mm f/4, which is pricier but adds Zeiss glass to the mix. And the Sony 18-135mm has more reach and is lighter, albeit with inferior low-light performance at the telephoto end. - Source: Internet
• Finally, don’t overlook the build quality of your lens. Sony itself has confirmed that the a6000 doesn’t have weather-sealing features. However, many users have claimed that they’ve been using the camera under light rain and snow with no problems. - Source: Internet
• This macro lens offers 4:1 or 5:1 magnification. Its removable lighting module has three LEDs for lighting very small objects. It includes four plastic holders that can be mounted to the front of the lens to maintain a consistent distance of 0.43-0.75 inches (11-19mm) between lens and subject. - Source: Internet
• The E 18-135mm F3.5-5.6 OSS (also available from B&H Photo here or from Adorama here) is a good option to consider if you’re looking for an upgrade from your standard kit lens and want an all-in-one lens that will allow you to take landscape and telephoto shots. - Source: Internet
• However, the reality is that many Sony APS-C photographers are priced out of buying a $1,000-ish prime lens. No matter how good the optical quality is, 35mm truly has to be your focal length of choice to merit the high cost. That said, we love the image and build quality—the Sony 24mm f/1.8 has a professional feel and performance that are tough to match. - Source: Internet
• With the broad focal length coverage of the lens, from 18mm wide angle to 200mm telephoto, it is also an ideal high-magnification “travel” lens. With it, you can capture grand landscapes, charming portraits, and even sports and nature shots. Optical SteadyShot (OSS) technology aids in this by cutting down on blur caused by camera shake, reducing the reliance on high ISO settings when shooting in dark environments. - Source: Internet
• Sony FE 40mm F2.5 G Lens: For a cheaper alternative to the Sony 35mm GM lens and the one that fits better with the smaller form factor, the Sony FE 40mm F2.5 G lens is definitely worth your consideration. - Source: Internet
• While making this ultra-wide-angle model, Samyang made sure that it would support Sony E-mount cameras. With its fisheye lens, f/2.0 wide aperture, and a broad angle of view, this one has become very popular in the community. - Source: Internet
• The original kit zoom for Sony NEX E-mount cameras. This wide to medium zoom lens is ideal for a variety of subjects including portraits and landscapes. With a near focus distance of only 9.7″, you can get in tight for close-ups. Internal motor allows for smooth and quiet autofocusing, great for capturing images in the camera’s HD movie mode. - Source: Internet
• If you buy the Sony a6000, it will come with a kit lens, which is the PZ 16-50mm F3. 5-5.6 OSS. This is an E-mount lens with a standard optical zoom ratio of 3.1x and focal length range of 24-75mm. - Source: Internet

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