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    1. Elinchrom D-Lite RX 4/4 To Go The best studio flash kit around, this lighting solution comes with real clout Specifications Head power: 400Ws Power range: 5 stops Power adjustment: 1/10th f/stops (custom) Power supply: Mains only Cooling fan: Auto-sensing Modelling lamp: 100W Modelling lamp settings: Prop, full, low, off Sync socket: 3.5mm jack Wireless RF trigger: Included Dedicated TTL/HSS triggering: HSS with C N S P MFT trigger upgrade Head dimensions: 14x26x19cm Weight per head: 1,500g Today’s Best Deals View at Amazon (opens in new tab) View at Adorama (opens in new tab) View at Newegg (opens in new tab) Reasons to buy + Immaculate build quality throughout + Superb performance, easy to use Reasons to avoid - Pricier than some competitors - Requires trigger upgrade for HSS flash - Source: Internet
    1. Litepanels Astra 6X Bi-Color It’s the money-no-object choice, but other panels give more bang per buck Specifications Color temperature: 3200-5600K Max power: 6330 lux at 1.5 metres Power source: Mains, optional Gold Mount or V-mount batteries Dimensions: 45 x 41 x 13.5cm Weight: 3.2kg Today’s Best Deals View at BHPhoto (opens in new tab) View at Amazon (opens in new tab) View at Adorama (opens in new tab) Reasons to buy + Stunning light power + Very high CRI + Pro build quality Reasons to avoid - A serious investment - Bulky & heavy - Overkill for most amateurs - Source: Internet
  • In the video below, I walk you through a few shoots with constant lights for food photography. With two different lighting setups and using a couple of different modifiers for the Godox SLB60. Plus there’s a little section for those who want check out these light for their tasty food videos. - Source: Internet
  • Is it an LED light or a ‘continuous’ monolight? You decide – but the Badger Beam could do the same job as an LED panel with a smaller form factor and compatibility with regular Bowens S-type lighting modifiers. That might not mean much to videographers but will be very interesting to photographers who need a continuous light for video work and stills. Available as a standalone LED monolight that runs on AC mains or its own rechargeable battery pack, the Interfit Badger Beam is also available in twin-head kits that feature options of barndoors, pop-up softboxes or umbrellas, complete with lighting stands and carrying cases. It’s a useful, versatile and good-value lighting solution for use at home or on location. - Source: Internet
  • Our chosen kit option includes two heads, batteries and mains chargers, two 60cm pop-up softboxes and a sturdy backpack. The optional Interfit HSS TTL remote trigger is similarly great value at £80/$100. This, as its name suggests, enables TTL and high speed sync flash modes. Unlike with the mains kit, there’s no cooling fan here, which means the Unleashed edition is virtually silent in operation – a particular bonus when using its bright 2500 lumens LED modelling lamp as a constant light source for movie capture. - Source: Internet
  • The not-so-secret third option is to go for a constant light. The latest LED panels (opens in new tab) are relatively cool-running and give fairly strong output, although they’re much less powerful than a flash head or regular flashgun. Maximum output is measured in Lux, usually at a distance of one metre, and the quality of light is measured in CRI (Colour Rendering Index). Plus points include a ‘what you see is what you get’ approach to lighting a subject and, when shooting video, constant LED lighting is perfectly viable whereas a flash head will be entirely useless. - Source: Internet
  • These are guaranteed to be flicker free regardless of the frame rate at which you record, and they can be fluidly adjusted in colour temperature from tungsten through to daylight. The panel manages an impressive minimum colour rendering index of 95 at the tungsten end, rising to an incredibly accurate 98 when outputting daylight-balanced illumination. Outright power is also formidable, as the Astra 6X manages a huge 6330 lux at a distance of 5 feet, and it’s steplessly adjustable down to 0% with no colour shift. - Source: Internet
  • Picking the best photography lighting kits is fun and exciting, with plenty to choose from. It does, however, come with its share of pitfalls, as there’s plenty of cheap lighting out there alongside the good stuff from reputable manufacturers. It’s worth shopping around to make sure you’re getting a good deal on a quality product; that’s why we’ve put together this handy guide to the best photographic lighting kits available right now. - Source: Internet
    1. StellaPro Reflex S Bridges the lighting gap between stills and video Specifications Max output (constant): 6,000 lumens Max output (flash): 12,000 lumens Color accuracy: CRI 92, TLCI 93 Battery life: 30-600 minutes Head dimensions: 230x100x100mm Weight (exc. battery): 785g Today’s Best Deals View at Walmart (opens in new tab) View at Adorama (opens in new tab) View at Amazon (opens in new tab) Reasons to buy + Compact, lightweight, powerful + Tough build quality + True constant/flash versatility Reasons to avoid - Fixed 5600K color temperature - Optional extras are pricey - Narrow beam for high power - Source: Internet
  • The best lighting kit for you depends on what you’re planning to shoot. Are you expecting to stay in the studio, or perhaps do you anticipate loading the kit up and taking it out on location? There are lighting kits great for both purposes. You also want to consider whether you’ll mostly be using flash for stills, and how bothered you are about having a continuous light for video. - Source: Internet
  • Litepanels has a reputation for producing quality kit aimed at semi-pro videographers, and the Astra 6X panel certainly feels like a quality product. At 3.2kg it’s designed solely for stationary light stand mounting, but the aluminum yoke cradle is very tough, as is the XLR power input connection, plus there’s a quiet cooling fan to ensure the longevity of the electronics and 256 individual LEDs. - Source: Internet
  • I lay it all out in the video above, but overall I’m really happy with my new Godox SLB60 constant light. This light has a lot more pros than cons. The Bowen’s S-mount, the plethora of cheaper modifiers, the brightness, and the battery power all make it the perfect system for someone looking to dive into constant light for food photography at a reasonable price. - Source: Internet
    1. One Light At A Time Please! With studio strobes, you can use your camera’s shutter speed and the brightness of the light to overpower every other source of light in the room, even bright sunlight! However, constant lights are a bit different. With most constant lights, like my Godox SLB60 your camera’s shutter speed will be low enough to suck in light and color from the ambient light in your room. This could result in some accidental fill light or even the dreaded color cast. So be careful and turn off / block any other light source that may spill into that perfect food image. - Source: Internet
  • Then there’s also the question of budget. There are lighting kits and panels right across the spectrum when it comes to pricing, so it’s worth having a think to see what’s the best you can afford. We’ve made sure that this guide includes all different types of lighting kits, from plug-in studio lights to battery-powered lighting kits designed to be taken on location, as well as continuous LED lighting panels. - Source: Internet
  • If you’re on a tighter budget, the best photography lighting kit for you is the Interfit Honey Badger 320Ws 2-Light (opens in new tab). Taking its name from reputedly the world’s most fearless animal, Interfit’s Honey Badger head makes a bold entrance in bright yellow and black, with a strong maximum power rating of 320Ws – which isn’t far off the Elinchrom D-Lite kit at number 1 in our guide. It’s a bit more noisy in operation because the relatively small heads have cooling fans that run full-time, rather than just kicking in when the going gets hot. - Source: Internet
  • Billed as ‘the first true continuous strobe hybrid light’, the StellaPro Reflex S features ‘digital burst’ technology for stills photography that can keep up with continuous drive modes of up to 20fps. In ‘continuous’ mode for videography, it’ll run for 30 minutes at maximum output from its own battery pack, or for 10,000 full-power ‘flashes’. You can also run the lamp direct from the mains via an optional 100W USB-C charger. Overall, it’s a compact yet powerful and versatile lighting kit with excellent all-round performance, justifying its high-end price tag. - Source: Internet
  • The photography lighting kit we’ve chosen is the dual head option with softboxes and a wireless remote. This enables you to adjust flash head settings and trigger them from the hotshoe mounting transmitter. The maximum range is around 90m, which should prove ample for most shooting scenarios. - Source: Internet
    1. Light Direction: Whether you are using natural light or artificial lights, like this Godox SLB60, the direction of your light in food photography is super important. You’ll want to make sure your highlights and shadows speak to a beautiful source of light just outside of the frame. Personally, I like to mimic either soft morning light or the vibrant light of the late afternoon. - Source: Internet
  • The units are also solidly made, with an all-metal chassis that feel secure and durable. The cooling fans are driven by a ‘smart pro-active cooling’ system, which effectively ’learns’ your shooting practices in order to deliver the most efficient cooling process. As you’d expect, these units are also compatible with Elinchrom’s extensive range of light modifiers and other accessories, so if you’re already invested in the system, the upgrade just makes sense. - Source: Internet
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